{"id":4914,"date":"2023-02-07T12:19:59","date_gmt":"2023-02-07T11:19:59","guid":{"rendered":"https:\/\/amadalamazigh.press.ma\/fr\/?p=4914"},"modified":"2023-02-07T12:24:21","modified_gmt":"2023-02-07T11:24:21","slug":"publication-de-lircam-creativite-feminine-dans-les-espaces-culturels-amazighes","status":"publish","type":"post","link":"https:\/\/amadalamazigh.press.ma\/fr\/publication-de-lircam-creativite-feminine-dans-les-espaces-culturels-amazighes\/","title":{"rendered":"Publication de L\u2019IRCAM: Cr\u00e9ativit\u00e9 f\u00e9minine dans les espaces culturels amazighes"},"content":{"rendered":"<p><strong><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-4915 alignleft\" src=\"https:\/\/i0.wp.com\/amadalamazigh.press.ma\/fr\/wp-content\/uploads\/2023\/02\/Couv-Creativi.jpg?resize=178%2C250&#038;ssl=1\" alt=\"\" width=\"178\" height=\"250\" srcset=\"https:\/\/i0.wp.com\/amadalamazigh.press.ma\/fr\/wp-content\/uploads\/2023\/02\/Couv-Creativi.jpg?resize=178%2C250&amp;ssl=1 178w, https:\/\/i0.wp.com\/amadalamazigh.press.ma\/fr\/wp-content\/uploads\/2023\/02\/Couv-Creativi.jpg?resize=729%2C1024&amp;ssl=1 729w, https:\/\/i0.wp.com\/amadalamazigh.press.ma\/fr\/wp-content\/uploads\/2023\/02\/Couv-Creativi.jpg?resize=1093%2C1536&amp;ssl=1 1093w, https:\/\/i0.wp.com\/amadalamazigh.press.ma\/fr\/wp-content\/uploads\/2023\/02\/Couv-Creativi.jpg?resize=1457%2C2048&amp;ssl=1 1457w, https:\/\/i0.wp.com\/amadalamazigh.press.ma\/fr\/wp-content\/uploads\/2023\/02\/Couv-Creativi.jpg?w=2011&amp;ssl=1 2011w, https:\/\/i0.wp.com\/amadalamazigh.press.ma\/fr\/wp-content\/uploads\/2023\/02\/Couv-Creativi.jpg?w=1236&amp;ssl=1 1236w, https:\/\/i0.wp.com\/amadalamazigh.press.ma\/fr\/wp-content\/uploads\/2023\/02\/Couv-Creativi.jpg?w=1854&amp;ssl=1 1854w\" sizes=\"auto, (max-width: 178px) 100vw, 178px\" \/>Cr\u00e9ativit\u00e9 f\u00e9minine dans les espaces culturels amazighes<\/strong> est un ouvrage collectif, ( 177 pages). \u00a0Il est le fruit des actes des journ\u00e9es d\u2019etudes organis\u00e9es par le Centre des Etudes Anthropologiques et Sociologiques de l\u2019Institut Royal de la Culture Amazighe, les 20 et 21 d\u00e9cembre 2018, sous la coordination de M. Hammou BELGHAZI, S\u00e9rie\u00a0: Colloques et s\u00e9minaire- N\u00b069<\/p>\n<p>Dans l\u2019aire civilisationnel amazighe, divers travaux de recherche sont d\u00e9di\u00e9s \u00e0 la femme en tant que d\u00e9positaire d\u2019une bonne partie du legs socioculturel ancestral cependant la cr\u00e9ativit\u00e9 f\u00e9minine de toute sorte semble, \u00e0 de rares exceptions pr\u00e8s, \u00eatre laiss\u00e9e dans l\u2019ombre. \u00a0Aussi le pr\u00e9sent ouvrage, fruit d\u2019une rencontre d\u2019\u00e9change interdisciplinaire, vise non seulement \u00e0 contribuer \u00e0 la reconnaissance r\u00e9elle et \u00e0 la valorisation effective du savoir-faire cr\u00e9atif des femmes amazighes, mais aussi et surtout \u00e0 donner un coup de fouet \u00e0 leurs m\u00e9thodes de travail centenaires et pourquoi pas \u00e0 s\u2019en inspirer, \u00e0 l\u2019instar de certains cr\u00e9ateurs de renom international.<\/p>\n<p>Edit\u00e9 par le Centre des Etudes Anthropologiques et Sociologiques, cet ouvrage englobe plusieurs interventions traitant des apports des femmes dans les diff\u00e9rents domaines de production culturelle amazighe, \u00e0 savoir\u00a0:<\/p>\n<ul>\n<li>Du patrimoine immat\u00e9riel f\u00e9minin amazighe\u00a0: saisons, mois et \u00e9toiles \u00a0 (Fatima Ez-Zahra Benkhallouq).<\/li>\n<li>Ecriture f\u00e9minine et subversion dans le roman Askwti n tlkkawt de Fadma Farras(Larbi Moumouch).<\/li>\n<li>Le costume des femmes \u00e0 Ida Ou Kensous (Anti-Atlas central) El Khatir Aboulkacem-Afulay.<\/li>\n<li>Le tapis des Ayt Ouaouzguit\u00a0: une cr\u00e9ation f\u00e9minine aux couleurs de la terre (Fatima Zahra Oufara).<\/li>\n<li>L\u2019illusion artistique. Un aspect de la cr\u00e9ativit\u00e9 des tisseuses amazighes (Hammou Belghazi\u00e0)<\/li>\n<li>Les tisserandes amazighes\u00a0: g\u00e9nie artisanal, cr\u00e9ativit\u00e9 et autonomisation (Mohamed Zahir).<\/li>\n<li>Esprit cr\u00e9atif des gu\u00e9risseuses dans l&rsquo;Anti-Atlas occidental. Aspects m\u00e9dical, social et culturel (Mbark Wanaim).<\/li>\n<li>Le cheminement de la musicienne amazighe Hindi Zahra, Mohamed Oubenal.<\/li>\n<li>S\u00e9miologie du discours symbolique dans les cr\u00e9ations mat\u00e9rielles de la femme\u00a0 amazighes, Khadija BELMOUDEN.<\/li>\n<li>Le corps f\u00e9minin et la cr\u00e9ativit\u00e9 artistique dans le Moyen Atlas. Le cas de \u00a0\u00bb chikhates \u00a0\u00bb Khadija BETSAAID<\/li>\n<\/ul>\n<p style=\"text-align: right;\"><strong>OUATAB Meryam<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cr\u00e9ativit\u00e9 f\u00e9minine dans les espaces culturels amazighes est un ouvrage collectif, ( 177 pages). \u00a0Il est le fruit des actes des journ\u00e9es d\u2019etudes organis\u00e9es par le Centre des Etudes Anthropologiques et Sociologiques de l\u2019Institut Royal de la Culture Amazighe, les 20 et 21 d\u00e9cembre 2018, sous la coordination de M. Hammou BELGHAZI, S\u00e9rie\u00a0: Colloques et &hellip;<\/p>\n","protected":false},"author":2,"featured_media":4915,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[10,6],"tags":[],"class_list":["post-4914","post","type-post","status-publish","format-standard","has-post-thumbnail","","category-maroc","category-publications"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/amadalamazigh.press.ma\/fr\/wp-content\/uploads\/2023\/02\/Couv-Creativi.jpg?fit=2011%2C2826&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p9uxE2-1hg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/amadalamazigh.press.ma\/fr\/wp-json\/wp\/v2\/posts\/4914","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/amadalamazigh.press.ma\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/amadalamazigh.press.ma\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/amadalamazigh.press.ma\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/amadalamazigh.press.ma\/fr\/wp-json\/wp\/v2\/comments?post=4914"}],"version-history":[{"count":2,"href":"https:\/\/amadalamazigh.press.ma\/fr\/wp-json\/wp\/v2\/posts\/4914\/revisions"}],"predecessor-version":[{"id":4919,"href":"https:\/\/amadalamazigh.press.ma\/fr\/wp-json\/wp\/v2\/posts\/4914\/revisions\/4919"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/amadalamazigh.press.ma\/fr\/wp-json\/wp\/v2\/media\/4915"}],"wp:attachment":[{"href":"https:\/\/amadalamazigh.press.ma\/fr\/wp-json\/wp\/v2\/media?parent=4914"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/amadalamazigh.press.ma\/fr\/wp-json\/wp\/v2\/categories?post=4914"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/amadalamazigh.press.ma\/fr\/wp-json\/wp\/v2\/tags?post=4914"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}